Sunday, 28 December 2014

Quick Tip of the Day #1

Listen, Listen and Listen again.

First of a series of quick advice on improving band skills.

It's no good to be ripping through the best solo of your life if the atmosphere of worship means that the notes you play stand out like a sore thumb.  

Our role as lead guitarists should be complimentary, to enhance the atmosphere of worship adding depth, melody and dynamics to the song played.


There are some specifics to listen for:


Listen to your other musicians in your group. 

If there are lots of musicians in your group you will need to play less notes, a good idea is to play sustained chords (I would go for volume swells), conversely if there aren't that many musicians then you may want to fill the space with delays and reverb.

Listen to where the sound space is.

I am talking about here about where the notes you can play would fit in with what is already being played by other instruments.  

Electric Guitar, like Acoustic Guitars are mid-range instruments not treble instruments and your tone will sound smaller and thinner as you go up the neck of the guitar.  So we as Electric Guitarists need to decide whether there are lots of instruments playing bass notes and we can add some texture to the composition by higher up.  

Another aspect to look out for is which instruments are playing melody and who is playing chords. There should be variety so if everyone is playing chords then you can add by melody lines and emphasising the core notes of the song.

Don't forget that silence is also an important note that many musicians don't use (including myself) and just play all the time!

Listen to the intensity and dynamics of the band.

A while ago, a professional musician taught me about the gears of dynamics, where as the intensity that band members play with increases, so does the band increase in gear number.  

I would always suggest playing to the gear that the band is playing in, however you can always hope to increase the intensity of the whole band to start playing at a higher intensity by increasing your own playing intensity.  I would suggest that starting a belting overdriven legato solo with a full-step bend is really inappropriate unless the band is playing in 5th or 6th gear of intensity.

Finally and most importantly: Listen to what God is doing

The most important part of being a worship guitarist, listen to what God is doing through His Holy Spirit in your time of worship and play accordingly.  

Is God inspiring prophetic words in the congregation?  Has He given another member of your band a prophetic song to bring?  

Supporting what God is doing in your times of worship is what we should be careful to look out for as worship musicians (not just guitarists) and can help transform the worship atmosphere in your church setting.  

We should be on the lookout for the "out of the ordinary" not just playing through a list of songs because they are nice songs to sing about Jesus.  Worship should be about encountering more and more of God every time we are in His Presence!

Tuesday, 27 May 2014

Bethel - You Are Good Tab

Here is the lead guitar tab for the intro to You Are Good by Bethel off the album Be Lifted High from 2011.

Standard Tuning

Intro

-------------------14-14-14--------------
-14-14-14-14--17-----------17--17--14 
---------------16----------14---14-------      Repeat x4
-------------------------------------------
-------------------------------------------
-------------------------------------------

Make sure you add extra vibrato to the 3rd (C#) 14th fret on B-string and 6th (F#) 14th fret on high E-string.

Pedals

JHS Morning Glory - Volume (50%), Drive (60%), Tone (75%)

POD HD500 :

Red Comp (MXR Dyna Comp) - Sustain (60%), Level (70%)
Classic Distortion (ProCo Rat) - Bass (60%), Filter (45%), Treble (50%), Drive (40%), Level (35%)

AC-30TB (Vox AC-30 Top Boost) - Drive (70%), Bass (65%), Cut (75%), Treble (50%), Presence (50%), Volume (65%)
2x12 Cab (Neumann U87 Condenser Mic)  

Digital Delay - 320 m/s - Feedback (50%), Bass (50%), Treble (50%), Mix (65%) 
Digital Delay w/Mod - Dotted 8th - Feedback (70%), Speed (80%), Depth (30%), Mix (50%)

Hall Reverb - Decay (58%), Pre-delay (82m/s), Tone (40%), Mix (15%)

Tuesday, 20 May 2014

My Gear

I thought I'd officially start this blog by sharing with you the gear that I've accumulated over the last 10 years:

Line 6 JTV-69 customised with Fender Maple Neck Guitars

James Tyler Variax JTV-69 :

My main workhorse guitar, I can't remember the last time I used a different guitar in a Worship set. 

It's the most versatile guitar I've ever come across, change type of guitar, change tuning electronically.  If you haven't heard about it, check it out here (http://uk.line6.com/jtv-69/

I've customised it with a maple fender neck and put the Tyler locking tuners on it.  

Never goes out of tune. 



Parkwood PWH4

Parkwood PWH4 :

I've had this guitar for about 7 years, as I wanted a guitar that could handle acoustic as well as electric guitar tones.  

It plays quite like a Gretsch / 335 semi-hollow / Taylor T5 guitar, also has a couple of modes which allows you to either fully select the piezo pickup located in the bridge or blend the two tones together.

Currently for sale, if anyone is interested.


Crafter Acoustic guitar :

Cutaway acoustic guitar that I only really use when entertaining my sons.

Effects

Pod HD500 :

I've been a fan of the Pod series of guitar effects for about 7 years. Firstly had a Pod XT Live, then a X3 Live, now the HD500.  I've had the 500 for about 2 years and I'm still finding different sounds and my tone is ever evolving.  We use in-ear monitors in our church, so loud amps with lots of hum and distortion would not go down well, so Pod HD500 is perfect.  

I especially love the way it talks to my Variax guitar.  Each preset can load a different type of guitar and the tuning that it should use.  For me this is the perfect solution to buying tons of different pedals and always having to bend down to adjust from song to song.

Line 6 M9 :

I bought the M9 because I was using my old X3 live which could only handle one delay at a time and I needed to be able to layer delays, which is now fulfilled by the HD500.  I use this only as an emergency pedalboard to use if I go somewhere without a PA.

JHS Morning Glory : 

Used to use this pedal only on my small emergency pedalboard, now is in current use directly in front of the HD500 as its a really good boost/compression pedal.  It gives a really transparent boost and slight overdrive (depending on settings of the pedal).  Really brings out the natural character of your amp.

Now available in the UK from Andertons 
(http://www.andertons.co.uk/compact-pedals/pid32935/cid692/jhs-pedals-morning-glory-transparent-overdrive.asp).  

Simply the best overdrive pedal I've ever used.

Paul Cochrane Tim :

Another clean boost pedal from the US, not quite as transparent as the Morning Glory but is a good boost pedal with it own overdrive channel.

Freekish Blues Alpha Drive :

A solid drive pedal for blues which also has a rock setting too for the Blues Driver tone.

Ernie Ball Junior Volume Pedal :

Good solid volume pedal for my emergency pedalboard.

Amps

Kustom 10 watt practice amp :

My first amp which is a fairly good blank canvas for use with the HD500, just lacks the headroom of an amp with more watts.


Tech 21 Trademark 30 :

A nice amp with some really good headroom and can get really loud, handy as has 3 analog modes (fender/marshall/mesa) which can then be run either clean, crunch or hot. 

Again good for not colouring the tone of the HD500.


My main signal chain goes like this : 

Variax -> JHS Morning Glory -> Pod HD500 -> PA / Tech 21 Amp


If you have any comments or questions, I'd love to hear them.

Hello!!



Hi Internet!!

This has been a long time coming but I finally have an online presence.

This is a place mainly to share interesting thoughts, stuff about Jesus, tips and tricks, 
experiences, tabs, gear talk which I’ve been through recently.

So hopefully this will be the first of many posts in the near future about what it means to be a worship guitarist. 

Thanks for popping by, I hope to see you here again soon…

Chris.